abstract painting by emily weil

daily painting | blitz

Well I kind of whistled through the Christmas graveyard these past couple of days. Today, much relief. I made it. Plenty of ghosts and zombies grabbed at my ankles, but I was stronger than they were.

I didn’t think it’d be easy, but now that Santa and his damn reindeer are in my rearview, I can let my shoulders down a little and appreciate the ways I bumbled through, at least for the most part. My heart is blooming with gratitude for warm phone calls and sweet gifts.

Winds are picking up outside my Rocky Mountain perch. Still unseasonably warm; visitors to RMNP are showing up hoping for snow (crap time for skiers; no white Chritsmas). Bunny’s morning zoomies and binkies are cracking me up. He’s not a cuddly lap-sitter but usually hangs out near me, sometimes chewing on my pajama bottoms. He loves having his nose scratched.

I’ve been working on this painting for weeks; have been spending more time writing than painting. But getting watercolors and pencils and ink out is healing and helps keep me in the light, even while grief and loneliness pull at me.

I am grateful for my life. It’s been a pretty intense classroom. I think my grades are OK though.

7″ x 7″ watercolor, ink, pastels, pencil, acrylic on paper = $479

 

 

 

abstract painting by emily weil

daily painting | paths

How simple is the path to a good life, we are told. But we humans are complicated and nuanced and influenced by many unseen hands. And ghosts.

Life is no straight line. We are sold a bill of goods — go to college, find a calling. Marry. Work. Have children. Contribute to the greater good.

But there are many variables in the light we follow. At times it’s a spotlight, a blinding, rising sun. Then it dims as if behind clouds. Subtly it can brighten, confusing us as it casts new shadows never seen before. Other times the sky is dark, with no light at all. No stars, even.

Then we turn on our headlights and hope for the best in thick fog.

Somewhere in our hearts is our own north star, which we have to discover on our own. For guidance. In many religious faiths we are taught — browbeaten, even — that we have evil natures. Mustn’t trust our own feet (better to be on our knees, bowing to control-hungry faith leaders).

It can take a lifetime to trust oneself. To find one’s honest self. Worth it, though. To feel confident and comfortable in one’s skin. To give up proving one’s value. To stand tall, back straight, walking into the wind.

[Wrote this the other night when I was in bed reading, got up to find a scrap of paper and a pen. Must keep a notebook on the night stand. Thought it matched this painting with shapes and paths. Bunny Cadbury sat at my feet as I worked at my art table.]

7″ x 7″ watercolor, ink, crayon, pencil on paper. = $75

 

 

 

abstract painting by emily weil

daily painting | fire

Today is a slog; another muddy swamp of grief I guess. Heartache, loss, family upsets. Guessing you are as sick of reading about it as I am of feeling it and writing about it.

So I’m jumping ahead.

I’m stoked over how many people are expected to show up for tomorrow’s protests. I forgot to order my “Is He Dead Yet?” shirt though (I try to avoid writing about politics but we are so over the cliff I’m ditching that protocol; we are in serious trouble). Love how the Orange Jesus is calling the protests anti-American ­— been here before when Reagan and Nixon said that those of us protesting the Viet Nam war were no-goodniks and we should cut our hair and get a job. But in fact we were the patriots. Which is how I feel now. We took to the streets. It’s important work, and nonviolent protest is absolutely essential right now. We make a difference. Rise up, people. My No-Kings placard is ready.

As a way to take care of myself this afternoon I went to my art table, now part of Cadbury’s room (my bunny), to set up paints to do a small abstract. I sat at the table, where Caddie loves to sit (it’s by a window). I had two plastic containers of clean water and as I arranged paints and paper Caddie jumped up to the work surface, looked at me, and with his paw knocked over one water. Then the other one. One didn’t quite empty so I set it upright and then he knocked it over again. Apparently he has claimed ownership of that perch.

I was laughing pretty hard. My little rascal. So I cleaned it up and started over. You gotta just keep going. I can paint and paint and paint and it’s good medicine. And while paint/ink was drying I made a dent in the laundry pile. And Cadbury relented, and sat at my feet under the table while I created.

Thank you for reading this my friends. When I hear from you it means a lot. I feel pretty raw sometimes posting these blurbs and I appreciate you taking a look at them.

7″ x 7″ watercolor, ink, crayon, pencil on paper. = $75

 

 

 

abstract painting by emily weil

daily painting | doodles

Yesterday I walked on a trail that was scattered with yellow Aspen leaves, as if the path was paved with gold coins. It was a gorgeous clear, cool day, and after a couple of days of chilly rain plenty of folks were on this trail, enjoying the October beauty of these high mountains — young men with their fishing poles, women on dirt bikes, families stretching their legs. I had to stop and read the sign that said there were moose in the area and to please keep your dogs on leashes; moose get upset at dogs for they smell an awful lot like wolves. Moose are not fond of wolves. And a moose can easily stomp on a human, or smoosh a dog. Would be unpleasant.

It was so soothing, walking along the lake, hearing the chickadees in the pines and the distant calls of bugling elk bucks. I seem to be going through another phase of letting go and grieving, and am allowing the sadness to wash through. I am not always sure the cause of the feelings, and mostly it’s best not to think about it too much. To let them just be, and eventually they move on. Unless they stick to me like burrs; in that case I’m doomed and might need a padded room, something I occasionally wonder about. But intense loss can make a person feel like they are losing their minds. And I did move here, after all, to create space to heal. And I am healing. I’m more whole. Grief can, if painfully, strip away a lot of dead wood.

There’s a wonderful Billie Holliday song, “Good Morning Heartache.” The [partial] last stanza is so apt:

Good morning heartache

You’re the one

Who knows me well

Might as well get used to you

Hanging around

Good morning heartache

Sit down

I love that she invites grief to have a cup of coffee with her. No resistance there, and boy do I want to resist. I want the sadness to go to the next house down the street, please. But it’s here, and it’s best to make friends with it. Wanting it to leave prolongs the discomfort.

So I let the Rocky Mountains hold me. I’ll go sit on the big boulder below my balcony and talk to Buster who is buried next to it (won’t be long before it will be covered with snow!). I miss him (and my rascally rabbit is doing great; he now has dominion over the entire extra bedroom and so far he hasn’t chewed up everything in sight, though he has nipped at my toes when I get in the way of his zoomies and I learned that when a bunny does that, if you let out a loud shriek or scream, it startles them enough to deter the behavior and so far it’s working). We may have a few more sunny days with temps in the 60s, and if so I’ll grab my camping chair and go up into the park and sit by the river and read. It’s been six months+ since I moved here and few days go by where I am not gob-smacked by the beauty here, and the wildlife. A tree full of Yellow-Rumped Warblers just graced me with their presence outside the window, cheering me with their cuteness and their little yellow-green chins.

And I hear there’s a good ice cream place by the lake. I will check it out. And I will just be. And practice self-compassion. And permit myself to heal, rest and write. I allow myself, god forbid, to let go of being “productive,” whatever “productive” means. Oh! And I just sold a small watercolor in the gift shop. Bonus.

[Had fun painting yesterday; did several small abstracts. Another way to self-soothe. And since Cadbury, my pet rabbit, now has the run of the room, he jumped up on the work table to say hello, bumping the water container, making me laugh and making a puddle in the painting, which dried nicely and added texture. He’s an adorable, mischievous, curious little guy. So soft. Loves having his nose scratched. I think rabbits’ noses twitch even when they are asleep.]

7″ x 7″ watercolor, ink, collage, acrylic on paper. = $75

 

 

 

mural bird-shape abstract by emily weil

daily painting | weather report

Summer in Colorado. Can be lovely, can be stormy. Today in the park in Granby, at the “Art in the Park” event I was one of about 10 artists selected to make art on a bird-shaped cut-out provided by the art association (every year is a different theme; not sure but last year’s might have been fish). The individual pieces will be on public display in Granby on an “art wall” alongside the highway.

Birds? Really? Perfect!

Had a ball, great to meet other local artists, and while yesterday was a fine day to paint outside, for today’s event of showing the art to the public the weather was tumultuous (rain, thunder, lightning, squalls, hail and blustery winds). So the usual crowds didn’t show, but I still enjoyed myself. We had moments of sun here and there, which was lovely, and I admit that, while the lack of attendance was disappointing, part of my fun of being in the Rockies is weather-watching. I am not disappointed. (The Granby group loaned me a canvas canopy so I was sheltered, mostly.)

Getting my feet wet (today, literally) in the local art scene. Kinda different from California; the populations here are small. Which frankly makes it more fun. An art event when you paint in a park and they give you lunch? And money for art supplies? Seriously? To feel appreciated as an artist was lovely and frankly that kind of treatment is nonexistent in CA, at least in the Bay Area. Very refreshing and I am appreciative. I don’t care anymore about art success — tried for that in the Bay Area and it was a grind and I got burnt out.

I’m sure my age has a lot to do with dwindling art ambition. I’m just too tired. I’m glad to continue to paint and teach and be part of local events. Never saw myself happily living outside the Bay Area but this slowed-down life is terrific. Sometimes getting old is great.

 

 

abstract painting by emily weil

daily painting | event type: birth

Today’s process: I feel like a ball in one of those wire spin thingies that spits out lottery winner numbers. Recently I’ve learned of CPTSD, which is Complex PTSD, a version of PTSD for people who have experienced long-term trauma (ongoing childhood abuse, for ex.): www.beautyafterbruises.org/what-is-cptsd

This is turning me inside out.

I read the list of symptoms. The resonance is horrifying.

I hope this new light shining on old, still-tender bruises will be healing. Like sunshine is a disinfectant.

Anyways it’s painful to look at (I just typed “paintful” which is kind of hilarious), but so true to my experiences I can’t look away. It’s like a neon light poking a pink fluorescent finger into a dark corner.

So I’m writing away in my journal, which helps me sort out feelings that hit me like a tsunami. When the words flow in the journal, my head starts slowly sorting things out, and I am somewhat calmed.

Later I went outside my door and sat on my favorite boulder and put my bare feet in the dirt, releasing pain into the rocks. Into the Rocky Mountains. A few more spoonfulls of hideous trauma absorbed into the earth (she’s generous that way).

Then a fire sparked in my belly and I practically ran back upstairs (at a 72-year old’s pace) to pull art supplies out to express more grief and shock and whirligig emotions.

After painting and drawing I needed paper to make it into a sort-of collage; the closest, most relevant print I found was a letter from the state of CA that came when I ordered a dupe of my birth certificate. Felt kind of perfect.

It all poured out of me. I didn’t even sit down at my art table but stood — couldn’t interrupt.

And here I am, a tiny bit more whole this afternoon. I worry about too much navel-gazing, but sometimes these moments just happen and I trust them. Healing truths kind of fall out of the sky sometimes. I am deeply grateful and a bit stunned.

8″ x 8″ mixed medial on paper = $95

 

 

 

abstract mixed media painting by emily weil

daily painting | delicacies

I don’t exactly toil away at writing, as I keep a log of my move to Colorado, but sometimes I bore myself and start over. And over. But just now a Broad-tail Hummingbird paused outside my window, where I’m perched with my laptop a few feet away, seemingly peering in and looking at me. The feeder is close, and the riot of brawling hummers beefing up for migration makes me laugh, often. So fierce! Especially the Rufous hummers who, like tiny, coppery speed-ball warriors, chase off other visitors to the feeder (even bees).

But a hummer has never come to the window and looked in and said hello. She floated out there for a good couple of seconds.

I’m meant to be here. I’m supported. I can relax, I haven’t made a horrible, stupid mistake.

In fact, I can embrace my life here. Coax my neck muscles to soften a bit.

The bullhorn is my new visual image. I employ it to out-yell my dad’s critical voice that is in my head. He was a dyed-in the wool, old-school, abusive and contemptuous misogynist. Females had little value; males ruled the world and deserved respect. So I’m treating that brain-infection with booming, loud announcements of self-respect. It’s working. The beautiful, plentiful hummingbirds help. Beauty is replacing darkness and self-doubt.

The Rockies heal me, fortify me. This is a place of summer abundance — chirping Marmots, omnipresent Osprey scouting the lakes, adorable, furtive chipmunks, brilliant cerulean Mountain Bluebirds scooping bugs out of the air, even Snowshoe Hares, on a lucky day (they are amazing — brown now, with white paws, enormous snow-shoe back feet; their bodies know to start shedding brown fur and replacing it with white, for winter camouflage, when days start to get shorter and I freakin’ can’t wait to learn to ID tracks in the snow out my door).

No, I have no idea how winter will be for me. But I’m not worried as I will learn cross-country skiing and will borrow my friend Amy’s snowshoes to try out and maybe return to nearby slopes to do some downhill. This charming town has lots of winter activities too, and I may even try ice-skating on the lake, but I never learned how to stop at the ice rink other than grabbing the railing, so I’d best duct-tape bubblewrap to my already well-padded backside before that attempt. And there’s always that marvelous library with the stone fireplace.

I’m good.

8″ x 8″ ink, watercolor, pencil, acrylic, oil pastel on paper = $95

 

 

 

abstract painting by emily weil

daily painting | completion

The swirling release I felt when I painted this today kind of took me by surprise. Don’t know why it should, making art often is healing. This one is a mix of things — paint, pencil, sand, ink, ashes. A part of my process of embracing a new path in Colorado and letting go of California life (not that I’ll never return; who knows?). Another puddle of grief and catharsis. This afternoon I am a little bit lighter. More whole and clear-headed.

It was a powerful few hours, working on this. I got swept into it. When it was done I took it outside and found a boulder to sit on to pray and let go. A release.

The Rockies literally hold me. I loved going to Reinhardt Redwood Park in the Oakland hills, and in those magical redwood groves I would lean on a tree and feel it absorbing my grief and pain. The Rockies here do that now. The power is palpable.

Today is a reminder to be true to my heart, my spirit, and to what calls me. To let go of what the world thinks I should do and my self-criticisms. Today my heart is a little bit bigger and more open. I honor these mysteries. I read a story where a spiritual seeker asks a wise one, “What is the meaning of life?”

“To live,” was the reply.

9″ x 9.5″ acrylic, pencil, watercolor, ash, ink on paper

 

 

 

abstract painting by emily weil

daily painting | panes

Well, damn. Back in the grief boat again. Or in a bathtub sheltering from a tornado. Or a Cuisinart®. Emotions swirling and blowing around me after the death of my ex-husband a few days ago — sadness, anger, regret, relief, depression, shock. I know this storm. Have lots of experience. Got some nav skills. We married when we were babies (18 years old), had our own babies, divorced in 1987. I still have moments where I’m washed over with relief that I divorced him and took over the reins of my life.

I had no recent contact with him though my two kids did, so I knew his heart was bad. I wish rational thought could sweep away grief and sadness — we hadn’t been in touch, he was a shite dad and husband, glad I ended the marriage. Doesn’t matter though. Can’t think away the sad. We were connected, once. We were high school sweethearts. We entered adulthood together.

Yesterday while on a drive to pick up a painting that was in a show and also meet with a friend in Sonoma County I listened to Anderson Cooper’s podcast on grief. I have found his series very encouraging and healing. We all go through loss. We all experience the disappointment of fair-weather friends and feel the isolation and loneliness of loss even though every human goes through it. Or will. Self-compassion helps, a lot. And getting outside.

I’ve also been getting my paints out as the therapy of making art helps me surf these turbulent waters of loss and cleaning out my home and relocating and embracing my aging self. Often the outcome is meh, but this one felt colorful and a bit whimsical.

OK off to the redwoods. Cleaning out cupboards can wait until tomorrow.

7″ x 10″ watercolor, ink on paper

 

 

 

watercolor abstract painting by emily weil

daily painting | focus

I’m knee-deep in packing, culling, organizing and purging my household. Moving — it’s a lot. And I’m not even moving furniture! I’ve been a discouraged artist lately; my creative focus has been more on writing, as I keep a log of this Colorado adventure I’m launching. But as I was cleaning out old client files headed to the recycle bin (and thanking design customers for the work they sent my way), I came across an unused watercolor sketchbook and decided to bring out my paints again.

The art business has pretty much kicked my butt, and I’m stepping back from the grind of trying to be seen and to sell my work. It’s disheartening, the disrespect I’ve encountered in the last few years from galleries and other professional art entities. I’m deflated, and I haven’t had the energy to try and get the wind back in my sails.

As a relief from packing, I decided to paint small watercolor abstracts in this art pad. It’s helpful and a tonic. There’s a freedom in doing art I do not intend to show publicly (except here, duh).

I don’t know what’s ahead for me creatively or how the Rocky Mountains will hold, inspire or comfort me. About to find out.

7″ x 10″ watercolor, inktense crayon, ink on paper