abstract painting on claybord by emily weil

daily painting | feather river

Walked in my door about an hour ago, returning from Feather River Art Camp up in N California, NE of Chico, in the beautiful hills of Plumas National Forest (3500 ft). It was an honor to be invited to teach at the camp and I had a ball and my students said they did too. I taught “Mixed Media,” meaning I did a watercolor class on one day, a drawing class another day, and so on (camp lasts 7 days with 5 days of classes and workshops). Such open-hearted, enthusiastic artists in my class — age range from 16 to hard-working art-enthusiasts in their 70s (maybe older; I didn’t exactly ask their birth dates). The camp has been operating for years, and there are a number of offerings given by fabulous teachers from ceramics to bead-making to plein air painting to creating art with bleach (marvelous — the teacher uses black paper). Check it out: www.featherriverartcamp.com.

Anyways not a lot of posting these days as I spend considerable time with my brother in his nursing facility in Mill Valley where he’s in hospice care with aggressive brain cancer; was hard to be gone for a week, but he was in good hands, and the art camp was on the calendar since last year. And I could nap in the afternoons. Then I could mosey down at dusk to Spanish Creek and enjoy the tranquility and the wildlife (and sometimes the company of my fabulous young assistant, Nolan). The wild creatures took my breath away — a merganser duck with 8 ducklings trailing behind, a resident beaver, dragonflies and songbirds and fish jumping and, two evenings ago, a young rattlesnake (not very big, small rattle) saw me (10 feet away) and twisted into the bushes but not before giving me a good shake of the rattle. It was marvelous.

But then there was Covid. The camp directors were exceedingly careful with us when we arrived — we provided proof of neg Covid test, they took our temps, etc. and all activities were outdoors. Still, three people became ill and tested pos; thankfully it was the last day of classes but it did kind of empty out the camp. Understandably. I’m isolating and testing every day and so far feel fine.

I did this abstract as a demo for the abstract class. The way everyone dove in to the exercise — so impressive and inspiring. All participants did amazing pieces, all week. Hope I get to come back next June. And I hope you will come too!

12″ x 12″ acrylic, ink, oil pastel on claybord = $185

 

 

 

watercolor and mixed media abstract by emily weil

daily painting | fluidity

I was in the mood for creating big wet puddles of watercolor on paper the other day, so I decided an abstract was the appropriate choice for my kitchen counter art production. This kind of work takes a bit of time as I have to wait for each layer of paint to dry (sunny days help and yes I could use my hair blower but when I perch my soggy, paint-saturated sketchpad in the sunny kitchen window it creates some time to do things like scrub my bathroom tiles or give my guinea pig Buster a sweet pepper snack — multitasking central, over here). But the thing was to let the art flow which coincides with letting my emotions tumble freely through the canyons of grief and loss. News junkie that I am, it’s hard to turn off the latest reports of frightful European war news, but I did, putting on my headphones and listening to Sting’s latest album. His lyrical, romantic tunes are beautiful and they help me keep my heart open. And the music is a soothing balm. I seem to feel safer at home, as I paint and emote, and I’m in a bit of quandary about whether to keep my studio as financially it’s not making a lot of sense right now. But I will get it sorted.

Plus I want to enjoy my house! My marina was recently sold to developers with dubious motives, so we are fighting for our community here. Our small, slightly funky floating home village on the San Francisco Bay estuary is charming and lovely and we want to keep it that way. Stay tuned.

9″ x 12″ watercolor, ink, pastel, acrylic, pencil on paper = $140