watercolor painting of squash by emily weil

daily painting | september squash

First topic — Bonnie Raitt concert at the Fox. Wow. I’ve long been a fan, and her songs have been a bit of a life soundtrack for me. A couple of her tunes made my cheeks wet, and her emotional connection to the audience was moving and magical. Though I’ve loved her music for decades it was my first time seeing her live, and she was magnificent. It’s her heart — her lyrics come from an authentic place inside her as she sings of life, of love, of loss. Of being messily human.

The next day my inner abuser criticized me for being emotional and skinless (still feeling it the following day). “Get over it! Jeez!” or “You’re on the pity pot!”

So I told the caustic critic between my ears to eff-off. I still feel like raw hamburger but I won’t fight it. Tears are OK. Let ’em rip. “I relinquish all resistance to the present moment” is my mantra. So be it. Today I am not ashamed to be cooking up some comfort food — cheesy melty treats with guacamole (since I buy bags of avocados and hardly know what do with them all when they ripen at the same time). Soothing deliciousness. Bring on the Tums®.

[Did this quick painting in my Brushes by the Bay group on Saturday]

5″ x 7″ watercolor, ink on paper

 

 

 

watercolor abstract by emily weil

daily painting | red horizon

Every morning I meditate and pray for guidance for my day and ask Great Spirit to walk with me. Today I am reminded to practice self-compassion, as I woke up with deep sadness. I find it’s possible to hold a handful of emotions simultaneously — sadness, grief, thankfulness, exhilaration. Yesterday when I returned from my studio, after working on a large painting, I felt joy and gratitude. I am human. Emotions that are sometimes jumbled are part of this wild, breathtaking ride.

If I am conscious at the end of my life and capable of reflection, I will give thanks for dog-paddling in the middle of the river with all its wild currents, even if I do feel like I swam upstream most of the time. Woof.

6″ x 6″ watercolor, acrylic on paper = $50

 

 

 

abstract painting by emily weil

daily painting | shallows

I’m feeling goofy-sideways on this weekend morning — fair warning. Does anyone remember the fabulous Russian ballet star, Godunov? His full name: Alexander Borisovich Godunov. He defected to the US in 1979. You may have noticed him playing a thug in the first Die Hard movie. [Where am I going with this, you may be wondering, rightly? Is she doing a bury-the-lead type of Rachel Maddow intro?]

Last week my Brushes by the Bay pals and I gathered in Holly’s magnificent garden to paint. She has 20-foot-high hollyhocks and dahlia blooms the size of cantaloupes and hummingbirds that dance in the water fountain. It is a private paradise, and I was happily enjoying it; I did several loose paintings of a dahlia bloom. Once I took the paintings home I decided to add background color to one of them. As I was painting, the neighbor’s cat decided to nose into my living room through my open deck door. I was startled and chased her out — she has eyes for my guinea pig. The interruption threw me and the painting got kind of wrecked. I swore at the cat, I swore at my paintbrush, I swore at myself. The painting had promise.

So… in the end, it wasn’t Godunov.

Ha. And apologies.

Soon after, I started up an abstract (above). It has many layers of paint and water soluble graphite and ink and inktense sticks and spattered acrylics, and is more in keeping with my allovertheplace emotions. I keep expecting to wake up one day to complete, all-encompassing, vibrating internal calm that will last forever. Pipe dream. Man-oh-man how grief and loss and family dramas stir up the pot. There’s a lot going on in my internal healing journey, and I’ll spare you the boring details. I’ll just keep showing up. And going to the beach.

12″ x 9″ watercolor, ink, water-soluble graphite, inktense sticks, acrylic, pencil on paper = $150

 

 

 

abstract mixed media painting by emily weil

daily painting | incoming

Grief is supposed to be something you get over. That you move on from. Oh, that it would work that way! Instead, you fold it in, incorporate it into your day and into your being while doing the dishes and emailing clients and taking your car in for a tune-up. It does not go away, probably not ever. But you make peace with it, inviting it in, giving it a seat at the table. There’s no use fighting it — those feelings will just pop up somewhere down the line, maybe in the form of physical distress, if you avoid or deny or minimize them.

But it’s isolating. Even if never said out loud, some still wish you’d feel better sooner rather than later. Be a happier guest at the party. [Ugh, parties; out of the question! Small talk is impossible!] And if the feelings are overwhelming, and visible, most people run. Hard. And fast.

So here’s my dilemma. How to be vulnerable and honest about my process and my feelings even though I know people are over it? That gets tricky. Grief counseling helps. But I keep going, moving along, showing up, rooting around for that inner strength I’m supposed to have. While some dear ones who sincerely care about me quietly drift into the mists.

Anyways, I think I have courage and am willing to jump into this emotional Cuisinart®. I know it’s changing me — sweeping out emotional closets, burning up musty old baggage. I have hopes and dreams of teaching workshops and traveling and painting and loving; I am not done quite yet. My brother’s life expectancy after his diagnosis of aggressive brain cancer (glio sarcoma) in April 2022 was about 4-6 months. It’s been 14. He is declining, and I’m seeing it. A very slow process at least until now and I am happy for all the time I’ve been able to spend with him. I wish there was something as “pre-grief” — that I could prepare for his death. It will be a wallop, for which there is no armor.

7″ x 10″ ink, watercolor, pastel, water-soluble graphite, acrylic on paper = $90

 

 

 

watercolor and mixed media abstract by emily weil

daily painting | fluidity

I was in the mood for creating big wet puddles of watercolor on paper the other day, so I decided an abstract was the appropriate choice for my kitchen counter art production. This kind of work takes a bit of time as I have to wait for each layer of paint to dry (sunny days help and yes I could use my hair blower but when I perch my soggy, paint-saturated sketchpad in the sunny kitchen window it creates some time to do things like scrub my bathroom tiles or give my guinea pig Buster a sweet pepper snack — multitasking central, over here). But the thing was to let the art flow which coincides with letting my emotions tumble freely through the canyons of grief and loss. News junkie that I am, it’s hard to turn off the latest reports of frightful European war news, but I did, putting on my headphones and listening to Sting’s latest album. His lyrical, romantic tunes are beautiful and they help me keep my heart open. And the music is a soothing balm. I seem to feel safer at home, as I paint and emote, and I’m in a bit of quandary about whether to keep my studio as financially it’s not making a lot of sense right now. But I will get it sorted.

Plus I want to enjoy my house! My marina was recently sold to developers with dubious motives, so we are fighting for our community here. Our small, slightly funky floating home village on the San Francisco Bay estuary is charming and lovely and we want to keep it that way. Stay tuned.

9″ x 12″ watercolor, ink, pastel, acrylic, pencil on paper = $140

 

 

 

abstract painting by emily weil

daily painting | circus

Emotion central ovah heah (think Carmela’s voice, mobster Tony Soprano’s wife on “The Sopranos” which I’m enjoying again for the 4th or 5th time). You’ve been patiently reading these ongoing posts about my grief. Stormy, wet, weepy, sad and there you go, Bob’s Your Uncle. Still here. But rains cleanse and renew and refresh and make things grow. I’m into growing. I’m becoming stronger and more sturdy. I’m resilient and I am shedding crackled, dried up old skins like a snake. Dark childhood shadows drifting off into the ether. Six months since my sister Diana’s suicide now, and it’s getting easier to get out of bed in the morning, so healing does in fact happen even when you feel like the drippy technicolor emotions will drape themselves all over you forever. Life is such a carnival ride at times, but I’m strapped in and hanging on and fully here for the adventure, even when I’m screaming bloody hell on the roller coaster. As I get older I aspire to be myself. Only myself. It’s liberating, and it’s happening. This is good.

30″ x 24″ acrylic, oil pastel, pencil on stretched canvas | NFS