daily painting | blues

Finding words is a challenge today, five days after insurrectionists tried to violently attack and disrupt our democratic process, egged on by a sitting president. I’m shocked, stunned, speechless. Having a hard time shuffling through tasks and chores and January plans. I’m sort of sure we’ll be OK. But never in my six decades have I questioned that our democracy would continue — until now. I’ve always taken it for granted, even if unhappy with voters’ choices and flaws in how we govern. Now, I’m rattled. Now, I’m unsure of our future. While I do believe we will get past this dark moment as a country, I have no pollyanna notions about how hard this will be and it was already severely challenging. I’m dodging puddles of grief and loss and isolation and loneliness. And facing worries for the country I didn’t know I loved so much. So today I counsel myself to employ gentleness and kindness toward myself and others. If foggy I will turn on the headlights. If knocked sideways I will get up and keep going and find my path again. I will keep taking sheets of paper out in my studio and “painting out” my overwhelming feelings. And if all I can manage is to vacantly stare at ocean waves at a Marin beach, that’s what I will do. As I talk to friends about these events, I know I am not alone in my stupefaction, which I just decided is my new favorite word. Tenderness and love for ourselves and each other will help us get through this. And rage.

22″ x 30″ pencil, pastel, ink, watercolor, acrylic, oil pastel, crayon on paper = $795

 

 

 

daily painting | splash zone

I was watching a documentary about Keith Haring and loved seeing him do his line work. I’m already crazy about my oil pastel sticks, so I couldn’t wait to take a break from watercolor and head into my studio and take out fresh sheets of paper and mark them up. The sticks are gooey and thick with pigment but take forever to dry, so I do hesitate to use them at times. But not last weekend. This drawing will be sticky for months, but that’s OK. Working like this taps into a deep part of me, and is quite healing and cathartic. Abstract works are helping me work out complicated feelings about my sister who died in November. Why did we fight so much when we were little? How much childhood pain & trauma did she subsume into her chanting practice? I know she suffered during her teen years, as did I, with depression and despair and we both found ways to comfort ourselves. Today I feel deeply saddened by the dramas that played out in our family with our parents who were terribly wounded souls. I am glad for the mental and emotional stability I have worked hard for, and I am sad for the ways Kathy and I acted out, as little ones, the unspoken frustration and rage in our family. Today I feel peace and heartbreak at the same time. Emotions can be so confounding. Best not to argue with them. [Note: after I posted this, I watched this 16-min TED talk and was a bit blown away by it: https://www.youtube.com/watch?v=KVnwC-taQXM&feature=youtu.be or look up, “Through the Mud We Rise | Michelle Esrick”]

15.5″ x 18″ pencil, oil pastel, crayon on paper = $360