acrylic abstract painting by emily weil

daily painting | skylines

Did anyone see the PBS show, “American Masters” about Oliver Sacks? I was floored and inspired by his transparency and openness about his life—his missteps, his insights and honesty. And his incredible empathy (I watched it twice). He talked about his journey without hesitation or obfuscation. Which is helping me feel bolder about my own blatherings about my personal adventures and challenges. As I struggle to wrap my mind and heart around the reality of my younger sister’s death, and how difficult it was to connect with her, it is becoming clearer how my childhood wounds shape me. I have healed a great deal and worked very hard for my wholeness. At the same time, wispy fragments of longings as well as my aching quest for human connection that haunted me as a child float through my soul, and I see how I have felt ashamed of these normal and human needs. Like somehow I should be above the desire for intimacy. I should buck up, or something asinine like that. Ridiculous. Today I embrace my humanity and natural and beautiful desires. What is more precious than human connection? Yet I have often thought this was a deep flaw. Boy howdy am I letting that one go!

I worked on this small abstract on the weekend. I didn’t feel like painting at all. But it was a tonic to be in my studio and work with colors and shapes and wet gloppy paint without any attempts to make it pretty. It was a soothing experience, even with tears mixed into the chromium blues.

9″ x 12″ acrylic, oil pastel, pencil on claybord = $140

 

 

 

daily painting | splash zone

I was watching a documentary about Keith Haring and loved seeing him do his line work. I’m already crazy about my oil pastel sticks, so I couldn’t wait to take a break from watercolor and head into my studio and take out fresh sheets of paper and mark them up. The sticks are gooey and thick with pigment but take forever to dry, so I do hesitate to use them at times. But not last weekend. This drawing will be sticky for months, but that’s OK. Working like this taps into a deep part of me, and is quite healing and cathartic. Abstract works are helping me work out complicated feelings about my sister who died in November. Why did we fight so much when we were little? How much childhood pain & trauma did she subsume into her chanting practice? I know she suffered during her teen years, as did I, with depression and despair and we both found ways to comfort ourselves. Today I feel deeply saddened by the dramas that played out in our family with our parents who were terribly wounded souls. I am glad for the mental and emotional stability I have worked hard for, and I am sad for the ways Kathy and I acted out, as little ones, the unspoken frustration and rage in our family. Today I feel peace and heartbreak at the same time. Emotions can be so confounding. Best not to argue with them. [Note: after I posted this, I watched this 16-min TED talk and was a bit blown away by it: https://www.youtube.com/watch?v=KVnwC-taQXM&feature=youtu.be or look up, “Through the Mud We Rise | Michelle Esrick”]

15.5″ x 18″ pencil, oil pastel, crayon on paper = $360